Do Cambridge audiences actually get theatre? 
Pride & Prejudice looks to be astounding
Witches, war, and wicked ambition: Macbeth hits the road
Girl time before heinous crime: Penelope Quadrangle is back!
Opinion
Leon Rake thinks Cambridge theatre is more about being seen than truly watched
Preview
Daphne Stavride sits down with the team behind the highly anticipated CAST tour
Despite grappling with some engaging ideas, Josh Pritchard isn’t quite convinced by this surrealist adaptation of Austen’s life
Review
Millie Wooler finds both highs and lows in Me and My Year of Casual ‘Monasticism’
Hollywood hits Cambridge in this easily-overlooked treat
Opinion
In a tense political climate, Millie Wooler argues musical theatre is more relevant than ever
Review
Despite (or perhaps because of) its lingering ambiguity, Friends of the God delivers a visceral, unsettling experience
Review
Leon Rake thinks Sola is what it means to touch emptiness – to realise that absence is never truly empty, but full of echoes that refuse to fade
Review
This ambitious student-written piece examines the friendship between painters Lucian Freud and Frank Auerbach
Review
Caryl Churchill’s masterpiece reminds us that environmental disaster is never ‘far away‘
Opinion
From inappropriate laughter, dropping a metal water bottle, and unwanted heckling, the audience is often the most surprising part of a performance
Review
Josh Pritchard finds that Wild Swimming lives up to the ‘wild’ in its name, even if by the end the action can get repetitive
Feature
Josh Pritchard shares his pearls of wisdom with fellow budding Camdram playwrights
Review
This sad, wickedly funny play is diligently staged and performed
Feature
Within the positive movement towards more opportunities for BME actors, Emma Mai-Yun Dawes considers the place that racially ambiguous actors hold
Round-up
What did theatre writers, editors, and causal viewers think of Camdram last term? Which show had the most laugh out loud moments? Which lead had the performance of their career?
Review
Milly Kotecha enjoys the festive fun of this original take on the Shakespeare classic 3.5 stars
Review
This politically driven play demonstrates creative potential, but ultimately loses its way
Review
The West End musical left us disappointed by horrific depictions of suicide and sexual violence, all tied up with a jaunty jingle
Review
This impressively acted play finds itself running out of things to say
Review
Lily Butler is perplexed by this production of Filumena’s wasted potential
Review
This chemical romance delivers outsanding direction and performances
Preview
Hector Day-Lunn gets an insight into the process behind getting this important BME production onto the ADC stage
Naomi Cray lauds this production’s modern vision and renewed focus on its female characters
![‘Unworthy scaffold[s]’: The unspoken successes of student Shakespeare](/images/dyn/t/store/320/180/51379.png)
